Faster state transitioning for continuous adjustable 3Deeps filter spectacles using multi-layered variable tint materials

What is this patent about?

’922 is related to the field of motion pictures and visual arts, specifically focusing on systems and methods for creating the appearance of continuous movement and three-dimensional depth from two-dimensional images. It addresses the technical challenge of generating fluid, sustained directional motion—referred to as Eternalisms—using a finite number of frames. The background context involves leveraging the human visual system's response to flicker and temporal intervals to produce unique spatial illusions that can be viewed without specialized eyewear, though they may be enhanced by optoelectronic spectacles.

The underlying idea behind ’922 is the repetitive presentation of a sequence consisting of at least two visually similar image frames separated by a dissimilar bridging frame, such as a solid color or a timed unlit-screen pause. By applying specific geometric transformations—such as expanding, shrinking, or reshaping—to the primary image frames before inserting the bridge, the invention creates a cinematic conveyer belt effect. This inventive insight allows a viewer to perceive a gesture or movement, like a door cracking open, as a sustained, evolving action that never actually completes, effectively turning a transient moment into a perpetual visual event.

The claims of ’922 focus on an apparatus comprising a storage and a processor configured to transform a video stream by generating modified image frames and displaying them in a specific sequence with a solid-color bridge frame. The independent claims specifically cover various methods of frame modification, including expanding, shrinking, removing portions, stitching frames together, inserting selected images, or reshaping the original frames. In each claimed embodiment, the processor obtains two frames from a video stream, applies one of these specific modifications to create distinct modified versions, and then displays them in an order interrupted by a generated solid-color bridge frame.

In practice, the invention works by manipulating the spatial relationship of objects between frames to dictate the direction and character of the perceived motion. For example, by slightly shifting the placement of a figure or altering its size across the modified frames, the system can induce a zooming effect or a sliding movement. The solid-color bridge frame acts as a visual reset that prevents the mind from seeing a simple back-and-forth stutter, instead forcing the nervous system to interpret the sequence as a continuous directional flow. This process, termed Eternalizing, allows for the creation of 3D-like volume and movement that remains stable and observable for as long as the loop is maintained.

This approach differs from prior art by moving away from standard film projection techniques that seek to hide flicker. While traditional cinema uses high frame rates and shutters to create the illusion of uninterrupted light, this invention purposely utilizes apparent flicker and specific frame-unit sequencing to achieve time-space aberrations. Unlike standard 3D systems that require dual-lens cameras and polarized glasses, this method generates depth and motion illusions from single-perspective sources. By using the computer to precisely stitch or reshape matching elements into effective screen locations, the invention provides a malleable way to control depth and motion that is impossible in actual life or standard cinematography.